Kamis, 08 Maret 2012

batik tanah liat

So far we only know that batik comes from Java. Batik is used for official or non official events. Besides batik from Java land, you will find well-batik batik from other areas, such as: Batik Jambi, Bengkulu batik, batik Sasirangan, etc.. No one believes in minang aspect there is also a batik, batik known as clay (clay).

as shown in the image of women who Whereas, guests are welcome ..
Batik is very typical of clay, according to the themes taken from nature outstretched. Called clay, because the basic color is brown batik like the color of the soil. As for painting on fabric batik motif that, among other leafy vines or roots, curved leaf fern, bamboo shoots, etc.. A clear picture that appears as a motif batik clay is non-figurative painting, not motivated by the symbols or symbols. What distinguishes the clay batik with batik batik-produced in Java?. In Java we know the name of batik; sidomukti, broken sword, trumtum, and other names.
When I drill down further on this clay batik, batik was the use of this clay has lasted decades ago.
Currently in the city of Padang, there is a businesswoman who produce batik batik-clay. But unfortunately, he has determined to limit the production of batik that is not balanced by the turnover of which he received. According to the mothers of Java and Sumatra outside the cities are coming to stores are located in Padang Sawahan. Brand turns out that clay batik hunting and brought back to their home areas. The price? over 500 thousand dollars.

Batik batak jawa

Ulos shawl is derived from his original of my customers who just returned from Medan.
Bored with selendang2 who just pinned to the body or at least not on display as decoration on the wall, my customer would like another way to show off the beauty of Ulos reads, DAMEMADIHITA which means Peace on Earth, it ..

The challenge is there in writing Damemadihita tengah2 cloth, and the symmetrical position.
Syarat2 reply filed by the customer:
A. tilisan Damemadihita not at all bothered
2. writing should be the center point that can be read by anyone who saw
wear this dress
3. design must be unique
4. ulos not too much dross.

I designed a sort of 'outcomes' for this ulos, based on the width of the fabric which is only about 70cm and a length of about 150cm.
Striated weave an option as a combination of Java, because the texture is kind at ulos.
Openings in addition to the model of native buttons, golden color of choice this draft resolution.

Photo and article submissions from Riva R. Gani cancun

batik 3 negeri

The hassle of making a piece of batik was still not enough if we know the history of Batik motif Ttiga Affairs. Three Interior Motif Batik Batik is a unique combination Lasem, Pekalongan and Solo, on the colonial era has its own autonomy and called the country. Maybe if only the typical mix of motives that each of these areas are still reasonable and ordinary, but that makes this batik has high artistic value is a process.
It is said that according to the batik, the water in each area has a major influence on the coloring, and this makes sense because the mineral content of ground water vary by geography. Then be made batik in each region. First, this batik fabric made ​​in Lasem with a distinctive red color, like red blood, after it was brought to the batik cloth and dibatik Pekalongan in blue, and the last fabric Sogan diwarna typical chocolate in the city of Solo.
Given the means of transport at the time was not as good as now, the Three Batik fabric of this country can be said as one of the batik masterpiece.

batik java hokokai

Word of Hokokai was took from japanese word. The Hokokai motif was designed when Japan were colonizing Indonesia on arround 1940. Now, batik Java Hokokai appears with many motifs.

batik buketan

Batik is identical to the original or culture of Indonesia, but in its development, batik motif is also influenced by foreign cultures. Batik motifs are influenced by foreign cultures is buketan batik motif. Buketan derived from the word meaning bouquet of flower in French and Dutch. This motif is easily recognizable because of the pictorial batikini flowers, birds and plants that climb upward-vine-like plant that grows in the Netherlands. Buketan motif developed in many coastal areas. bright colors, beautiful patterns and vibrant addition to the influence of Europe, particularly Holland, is also influenced by the existence of batik traders and entrepreneurs from the ethnic Chinese. below are some examples of batik buketan, who has a background motif sidomukti. As far as I know, this buketan motif often found in batik sarongs, sarongs, perhaps duku because the Chinese and Dutch complicated long-wearing fabric they choose to wear gloves that are easier to wear :).

batik lasem

Batik Lasem history is closely connected with the arrival of Admiral Cheng Ho in 1413. Lasem chronicle written by MPU Santri Badra in the year 1401 Saka (1479 AD,), was rewritten by R Flag Kamzah mention in 1858, the crew Dhang Tzeng Puhawang of State Tiong Hwa Ho, Bi Nang Li Na Un and his wife settled in Ni choose Bonag after seeing the natural beauty of Java.

In place of this new habitation, Li Na Ni from batik motive phoenix, liong, chrysanthemums, latticework, currency and chicken blood red color typical of Tiong Hwa. This motif is characteristic of the unique Batik Lasem.

Batik Lasem uniqueness that the most important place in world trade. Inter-island traders to ship later sent Batik Lasem throughout the archipelago. Even at the beginning of the nineteenth century had Batik Lasem exported to Thailand and Suriname. Batik Lasem entered heyday.

Booming Lasem Batik making is becoming increasingly creative crafters. The new motifs such as latohan, mountain ringgit, or watu kricakan rupture appear. Syahdan crafters create kricakan motif inspired by the suffering of the people when I had to break up large stones to be made by Daendels highway heading.

Batik Lasem continue to carve up the gold record ahead of the end of colonial rule. Lasem Batik entrepreneurs who come from the Chinese a special place in the indigenous population because of the many job opportunities.

Batik heyday's iconic cultural integration of Java and China began to recede in the 1950s. The main causes of the decline is due to Batik Lasem driven by the proliferation of printed batik in various areas. In addition, also due to political conditions that marginalize ethnic Chinese who is the ruler Lasem Batik trade.

batik banten

Batik Batik Banten is derived from Banten Province and RI. Local knowledge is left of the center of the Islamic government of the Sultanate of Banten kingdom, has inherited a variety of ancient objects that have a range of distinctive and unique. Through the legacy of that, people can carve out the works as stock seed in the soil copyright grandchildren Banten.

Various studies the use of decoration have transformed a typical Metro Manila and in the media designed to cotton and silk fabrics are called batik Banten. Batik is rich in philosophical content which means in each motif derived from toponyms. This is the order of an asset that is characteristic of batik Banten. Batik offerings that have entered the international arena, not because of the shape and tatanananya, but also a characteristic that is owned.

Since patented in 2003, Banten batik has undergone a long process until it is recognized around the world. Batik Banten patented after a study in Malaysia and Singapore followed 62 countries worldwide. Batik Banten awarded the best in the entire world. Once there is an appeal on June 5th day world batik, batik Banten be the first to have patent rights in UNESCO. Even now Banten Batik has evolved into various foreign countries.

Baten Batik has a story tell the identity (motive to tell) have the distinctive characteristic other than batik. Adopted some of the motives of historical objects (artifacts). In each motif are gray are said to be the mirror of Banten. All content contained batiknya philosophy.

Batik Banten have the distinctive characteristics and unique because in addition to any motive to tell the history, also derived from the heritage objects such as pottery and the names of the kingdom of Banten as Aryamandalika penembahan, Sakingking, and others.

batik jombang

Jombang batik history has been written by Ms. Hajjah Maniati, batik shop owner "Sekar Jati Star". On June 17, 2007, the author visited the house he and his telling of the history and process of batik Jombang. He said bahawa batik is one part of the culture to reflect the personality of the nation, where batik are in need of skills, expertise, creativity, tenacity, patience and extensive knowledge and appreciation of the high that batik has high artistic value and priced well.
"Based on my explanation (Hj. Maniati) has a great desire and resolve to begin to learn batik, kerana the young man again and I'm an elementary Women (Darjah Low) in 1944, where the uniform / clothing and school still wear sarong kebaya batik (Dutch colonial era). At that time in the village (village) temple city Mulyo Jombang many mothers and adolescents who have the skills / skill and perseverance to make. Batik is produced at that time was named Batik Pacinan kawung patterned with red brick and green leaves.

batik jawa


Javanese batik art is a cultural heritage of Indonesia, especially Java-controlled areas of the Javanese people for generations. Javanese batik motifs have different. This motif is common differences dikarnakan motives that have meaning, the purpose is not just an image but it implies that they can from their ancestors, the religious animism, dynamism or Hindu and Buddhist. Javanese batik developed in many areas Solo or commonly known as Solo batik.